I will be vending at this year’s Horror convention in Verona New York. I will be there to promote my story blog, and drawing some Zombie/monster caricatures to cover the bill for the event. I will also be selling my all new character stickers and Tarot art. Hope to see you there. Here are some samples of my work!
Thursday, October 18, 2018
Scare-A-Con Caricatures
I will be vending at this year’s Horror convention in Verona New York. I will be there to promote my story blog, and drawing some Zombie/monster caricatures to cover the bill for the event. I will also be selling my all new character stickers and Tarot art. Hope to see you there. Here are some samples of my work!
Sunday, October 14, 2018
It's Called Horrorcore?
#MNE
#TWIZTID
#HORRORCORE
#ICP
One question was about to change my life forever…
#TWIZTID
#HORRORCORE
#ICP
One question was about to change my life forever…
“You never heard of the Insane
Clown Posse?”
The question came suddenly and
caught me unprepared. I would not know then that it was a question that would move
my world into a new horizon for years to come. I was young, and just starting to
understand that I enjoyed music, especially rap. If you asked me why now, I’d tell you that I was
attracted to the rambunctious culture, and the fuck-you-I’ll-say-what-the-hell-I-want attitude that stained my
soul over the years. But the truth is, it was trendy. The Thug Life era was just coming to a close, ushering in the age of
Dr. Dre’s Aftermath, Missy Elliott’s weird fish-eyed-lens music videos, and
Busta Rhymes’s apocalyptic fast word-play. I didn’t know what I liked as far as
music went, but I was impressionable, and I was at a fertile age that was ready
to root some new seeds. Eminem’s first mainstream album had just exploded into our
not-quite-ready-for-that-nasty eardrums. I couldn’t possibly know at the time
that he had flung open a dirty door that would send in an inundating flood of
potty-mouth art to mold an entire generation. All I knew for certain was that I
liked it.
The only albums I owned then were
the Blade Motion Picture Soundtrack, the Bullworth Motion Picture soundtrack,
and something else, who knows. I was still asking for action figures for my
birthday then. So when I met my buddy James and he introduced me to the world
of time-to-get-into-your-teens-now I was not ready for this question. As far as
music went, I only listened to what my sister liked. She was older, she was an
influence, and she taught me about Rap. Eventually I would get to appreciate
the Gods that came before, such as 2pac, Biggie, and the Wu-Tang Clan, but I
did not know shit back then. I understood that a new paradigm shift in music
had been born. I remember the impact when 2pac was killed. I did not get why
his fatality was so important, but I remember vividly when mom told us like it
was some life changing political news.
But this question, I was not ready
for. It was such an alien thing then. Rapping
clowns? What!
“Ummmm… Who?” That was all I could
manage.
James rolled his eyes, like I was
some sheltered creature hidden away from the sunlight all of his life. He told
me about the wrestling, he told me about the Disney conspiracies that had been
blown way out of proportion from hearsay. But it all sounded stupid, because it
was.
“That sound’s wack.” It came with a
disparaging laugh I hadn’t meant to slip out. I also did not know that it was
pretty much the general consensus on this particular topic. Still, I never
meant to offend.
Indignant, James huffed and puffed
and made me listen to a track called Piggy Pie from their album The Great
Milenko. I was actually very impressed after the first listen; however, I’d
like to add one note: It really is not fair to start a fresh palette on a new
flavor by playing only one of their best pieces off one of their most
critically acclaimed albums. But I digress.
I wasn’t quite hooked just yet.
James was cool, wild, and very much a bad influence. He would fade from my life
forever, and faster than Thanos can snap his fingers. But that song stuck with
me. I held on to that experience for a long time. It was like my first taste of
a drug, and it had that very same effect. Your first high was always the
strongest, and then you hunt desperately to maintain that same high. And will
fail. But with the Clowns, I needed time.
My mom loved comics. She took us
out to the comic book store to check out the new releases almost every month. I
only just started getting attached to one publication. I loved Image Comics. It
was mostly for Todd McFarlane’s Spawn, but still, I enjoyed everything they put
out. It was like a dark take on superheroes and antiheroes, and beyond. I
always loved the bad-guy story, and Image delivered. This time at the shop I
stumbled on a new release from Chaos: The Insane Clown Posse and their Comic
book debut Raze The Desertz of Glass. Now they crossed into my territory of
interest. I bought both versions of that special issue. I remember they came
with a special Pendulum album track on cd for every issue. Collecting all the
issues got the entire secret album which would later be released gradually on
their Forgotten Freshness cds. I thought it was a neat promo grab to get people
to buy. But I actually really liked the artwork as well. I enjoy that visceral,
gritty, ugly look in illustrations like that. It was why I always loved Todd
McFarlane’s work. The grimy details were always fresh as fuck. Chaos Comics did
a hell of a job bringing to life their free rolling mythology too.
I remember coming back home all
excited because finally I got it. But I didn’t. I was a noob, in a sense. And I
only made it not cool, if that can
even be a thing considering. But these were the building blocks toward a
foundation that would eventually shape everything I would grow to be.
James fell out of it, and I stuck
to it.
My next cds were the Riddle Box,
and The Amazing Jeckel Brothers, which was their new release at the time. On
that album I saw an advertisement in all comic-book glory fashion for Twiztid’s
first mainstream release: a remake of their street classic Mostasteless. That
fucking cassette ended up becoming one of my most cherished possessions for a
long time. Then, hearing what they were saying like “blow up the white house”
and using the word without a care for
consequence was both shocking and crudely inspiring for me. My mom didn’t care,
she got me them for Christmas, (though Twiztid I had to discover on my own).
She heard a rumor from some party spoiler at her work that admonished her for
buying me them, and mom delivered that warning to me. I took it the same way a
smoker acknowledged their surgeon general’s warning that they were going to
become creatures if they kept being a chainsmoker. Thanks mom! Well, going to my room to listen to my jams.
The poison was in.
I grew up. The last joker’s card
came out and I was confused by the grand finale. James went on to become a cult
leader or whatever. I went on to jump in and out of the following. Then I
graduated, got a job, and I forgot. But my dad brought it back. One day on our
way to work he played the fuck off song on Jeckel Brothers. From that day on we
used that song as our coffee to start the morning. I rediscovered my taste for
it. I went back to my old cds and threw them in to the old disk jammer. It was
late, but I rekindled the candle for that dark wicked-shit horror themed
hiphop, and I wanted more. So I got more. Picked up ICP’s Bizzar, Bizaar.
Bought merch at Hot Topic. And I repped that shit proudly. Most people never
cared about it because they did not know. Eventually that would become
problematic, but not yet.
Soon I would learn about ABK, Blaze
Ya Dead Homie, Boondox… Boondox was a funny one. I scoffed the
infamous Scarecrow and his shoddy gimmick, until I saw him in concert and
finally shut the fuck up. Now he is one of my favorite acts. My first concert
was The Tempest tour featuring main acts Twiztid, and Insane Clown Posse. In
that show my homie Brandon made us do it. At first, I was nervous. Never been
to a Psychopathic Records show, and I heard nasty stories. And when we got
there, we went straight for the barricade and stayed there until the war was
done. And I mean War. Everything was
chill until Twiztid took the stage. When the lights went out moments before
their opening song the ocean of people behind us began roiling. They pressed us
against that barricade until our ribs felt as though they might burst. When the
lights hit, the base filled our lungs, and the mist flew out, they materialized
under a veil of swirling fog. Then they hit that “Axe murderaz! WE DON’T DIE!” That’s when we felt the full force of
the mob behind us. They crowd surfed, and we got kicked in the face, but it was
awesome.
We have gone to a thousand shows
since then. There was this one Twiztid show in Philadelphia Pa where a chubby,
but haughty security guard wanted to talk bad about everyone that was set to
perform that night. Brandon and I caught him punching audience members at the barricade.
We caught ahold of one crowd surfer and together we launched his ass at that
security guard. The next moment, the guy we threw was back on his feet Whoop-Whoop’n
unbothered, and Big-Mouth security guard was being walked out with tears in his
eyes. Apparently we shattered his arm. At the Gathering of The Juggalos we got
a brutal first-hand taste of global warming as the sun beat the shit out of us
and saw Tila Tequila get bags of piss to the face. Actually, we only heard
about that the next morning. Whatever, the point is: It happened and she
deserved it. Hate if you want; that woman dissed the Fam and took the stage anyway
when clearly nobody wanted her there.
I used to be very proud and vocal
about the culture that I would later learn was known as Horrorcore. The legendary
Esham the Unholy began it. ICP emulated him with their clown faces and murder
themes, Eminem exposed them to a broader audience, and they collectively paved
the way for horror rappers of all walks of life. Soon there would be too many experiences
and acts to count, but I enjoy a good bit of them. I think these days the
legendary Tech N9ne and Twiztid are my favorites in this category. But I feel
like a new face (forever face, rather) is about to revitalize the industry. They’re
like a true honest to god Horror Movie if it was transformed into rap. I am referring
to a new phenomenon called Alla Xul Elu. There is also G-Mo Skee (who adds a
nice Eminem like flavor to his work), Gorilla Voltage, Lex The Hex, Hopsin, Lo
Key, Scum, and as I said, too many more to mention. Alla Xul have a massive
following already, and now that Majik Ninja Entertainment (Twiztid’s new rap label)
have provided them a hot spot light to show off their work I think they are
destined to become equal entities to their founders, and the high-rise
foundation they have made.
I have met everyone from the old
Psychopathic roster except for one act. So I bought the VIP pass for Frightfest
2018, and at last I got to talk to Twiztid in person. Drew them a couple of
caricatures, and they were just like two excited, grateful kids to have it
done. And I was greatful for that reaction as I just kind of figured they have gotten better art before. But they seemed genuinely impressed by my technique, and the small time it took to complete. They invited me to consider drawing at their convention early next year, and it was
an all around great experience. I am 33 years old now. Been listening to these
guys since 1999, and now, everything has become like a new chapter turning from
a novel that had begun with a single question. Thanks James.
Happy Halloween! Stay wicked, stay
true to you. Think for yourself dude, and don’t do what they do. Just do what
you want to do. The haters are going to hate anyway, so you might as well just
have fun with it.
Whoop
Whoop!
Sunday, October 7, 2018
Stickers!!!!
My first batch of limited promo stickers just came in the mail today! Getting supplied up for my horror convention.
Friday, October 5, 2018
Monday, October 1, 2018
Avrio (science fiction)
Genre: Science Fiction/fantasy
Age Restriction: Parental Discretion
Editor’s Note:
This story features a dark theme, and contains imagery that may be psychologically disturbing for some audiences. This particular story was intended for all ages to enjoy, though it may require a level of parental discretion concerning some elements presented by the author whose primary audience are of a mature age:
18 and older.
Happy Autumn (FALL AND ENJOY!)
Avrio
By Jeffrey Arce
aka
Jarce ArtThor
She was
walking in the shadow of death, but she wasn’t afraid. Here, she was quite
comfortable.
The docent prated
solemnly on, but Avrio could barely listen. He expounded some drivel about how
their excessive output of greenhouse gasses will have ultimately
short-circuited their environment, thus searing a path for the inevitable rise
of The Sentients. What once devastated the world—paralyzing her organic
ecosystems—was eventually recycled into an essential resource for continued
sustenance. And from death sprang life. It
was funny how some things evolved.
The panoply
before them was so strange, yet so intriguing. Inside the writhing
electromagnetic barrier were items from that extraordinary world long before, carefully
arranged. Avrio melted in with the crowd, wanting to have a better look. The
ethereal group closed around her in the exhibit hall of the museum, coalescing
densely at the display window. It always tickled her how the swell of wonder could
quicken in the minds of even her most stringent of peers. They scrutinized the
curious items with bewildered astonishment. Together they imagined a primitive
world where complex life still needed to kill lesser organisms for their
nourishment, pulling stores of solar energy forged deep within the threading of
immanent proteins. The elders named it a barbaric
ritual, denigrating them as blood
lusting savages, but Avrio thought they were fascinating, gorgeous
creatures.
Their tools
were so far removed from the modern mind it was hard to accept the raw truth that
they were made from this world at all. They had crafted such things as ladles,
knives, bowls, chalices, and weaponry—terribly dreamed and abundantly supplied.
They made things from flesh, bone, and wood, from rock and ore. They designed tools
to make other tools. It was by these special instruments they would establish a
power to grow their race exponentially. But such vain self-preservation to this
degree by which they had achieved would prove in time quite fatal. Their sins enervated
the ecosystem, and drove their people toward a swift and complete extermination.
Tools gave them life and took it all away.
Sentients
did not require any of these things. They drew energy from the carbon dioxide and
methane that was in the air. They manifested power from the fierce winds, which
gusted vigorously across the plains. They constructed subterranean hives to
avoid conflict with the wicked jet propulsions naturally produced by a recovering
planet. They had no need for towering edifices, save for the fields of massive
windmills they had erected from salvaged material. There was no good reason for
war, or for monetary trade, or government. They lived only for knowledge. They
built communities on all corners of the globe to feed their study, and advance
their race. A Sentient could explore the acidy oceans, and the starry abyss of
space without a vessel to take them there. Beyond the firmament of their carbon
rich environment, their cells were made to create fusion by pulling from the
sun’s eternal radiance. There was no reach that a Sentient could not explore—no
boundaries. They could manifest anything that was requisite for their survival,
and they could adapt to even the most virulent of conditions. They did not need
carnal faculties for reproduction, though, at times two Sentients could become
one, and one could become many. They snowballed from motes and particles and
transmuted like living molds of clay. They were formless and beautiful.
A
mysterious river of consciousness had seeded their race—an enigmatic nursery,
burgeoning out from a cavernous chasm like a great womb of blue fire. No
scholar could agree on the make of its origin. Most have simply placed it as a
kind of nursery with divine roots, though, none of them truly believed in a
higher entity forged by way of intelligent design. Hypocrisy might one day prove to be the eternal plague destined to
doom all forms of intellectual life. Sentients
were an ascetic culture—stolid, analytical, and meticulous. They eschewed
overindulgence of emotion almost to the point of overindulging in apathy, but
they did lust for some things, such as learning.
Avrio was
different. She was compassionate, and she loved the past, where most only
anguished for the future. She frequented all of the geological institutes
established throughout the solar system, trying to decipher how and why The
Ones Before lived as they did. There were fragments of them spread out
everywhere, as if they had exploded like some fertile flower attempting to seed
the heavens. But they did not go too far. They could not even pierce the
threshold of their own system with all their impressive technology.
It has been
estimated that their global population peaked at an astronomical rate of ten
billion souls before at last came a definitive purge. How anything could
survive so many ravenous mouths was far beyond Avrio’s understanding, as clever
as she was in nature. Yet still, she admired them, even at their worst.
Researchers
studying samples from orbital debris have reconstructed their final decline.
They have surmised that fifteen hundred thousand divisive sovereigns had
abandoned their kingdoms, leaving an inundated civilization to implode behind.
They stole refuge onboard a secret vessel with a callow space colony for a
time. But like a cell separated from its host, these impetuous refugees and
their under-prepared bodies rejected the malign effects of an artificial
environment, and they deteriorated. None were immune to extinction.
Theirs was
a story of poignant demise. Avrio often wept for them when she learned more. Is
it so fair this erudite species could be reduced to the moldering scraps
excavated from their vast landfills of waste, which had failed to dissolve? She
couldn’t know for certain. Scholars had only conjecture beyond what could be studied
from their leavings. Nothing they had ever wrought in their time was indelible.
The earth took it all back, but for plastic—an exceptionally perennial artifact. Everything
else was erased.
Once a lush
and verdant world brimming with life, the Sentients have come to know it as a
sweltering, toxic wasteland, though it was still home for them. The planet
could spare only a meager palette of tenuous biology as she convalesced from
her geological wounds. But Sentients were an auspicious people. They have
transcended the archaic fauna and flora feeding rituals, providing much needed
respite for an exhausted environment.
Avrio followed
their guide absently, wishing she could know more, and why they destroyed themselves.
They were warned, but they persisted with their rotten habits nevertheless. It
was so strange.
They were
her favorite obsession. She even tried to form her walk in a way to imitate how
experts have determined they might have ambulated. According to Avrio, they
were the most inspiring creatures to ever have lived on the planet, and they
were all gone. A wistfully tragic end to a great species.
As her
group sauntered on with equanimity, they descended toward the final exhibit on the
tour. She made sure to put herself in front of the crowd before they got there.
The underground museum was one that she adored most. It was special. Here,
every tour ended with a grand finale. It was here, deep beneath the surface where The Ones Before had retreated
in their final hour.
The light
opened brilliantly in the capacious hall, and a pitted rocky sepulcher
materialized. Through the electric transparent veil they found a mass grave. Primitive
skeletons were clambering at an ancient device that still loomed from rigid, centuries-old
stone. Hollowed, dejected eyes gazed up at it, reaching for it with arachnid
fingers. The fossils depicted a vast mural of bones vying to gain passage. Some
were tangled together, caught in an eternal struggle for refuge, and others
were folded over their knees, frozen forever in prayer. Their faces were melded
into the dirt, and their arching spinal columns were suffused with igneous clay.
Avrio was ensorcelled
by it, her translucent crown churning with incandescent azure like stirring
embers as she marveled at the exhibit. Transfixed on the spectacle, she
wondered what they were fighting for. In this place where the last of their
species would recede from existence, after all they had achieved, what great
mystery could have drawn them down like an inescapable eddy whirling over the
drain of annihilation. At an axis in the protruding relic of stone there were two
intersecting arms, outstretched like a man poised to enfold a lover into his
final embrace. It was a massive cross, and it marked ground zero, where the former
world past away.
Afterward,
they were bustled out through the lobby, each one of them receiving a customary
souvenir to enjoy as they went. Avrio glowed upon taking hers: an artificial
replica of a Human skull. She stared lovingly at the gift for a time that felt
like an eternity. Avrio envied their mortality, but Avrio was a Sentient, and
Sentients could not die so easily.
Cradling the skull in
her amorphous grasp, she cherished her prize with grateful bliss. She ensconced
herself inside the empty chamber of its brain cavity. There she would study and
sleep, wanting to peer through its eyes, and feel with its hands, and sample
flavors with its tongue. She wanted to be human… She wanted to know how they
knew, how simple and poetic they made all things that they did not know. But
most of all, she wanted to taste mortality. She wanted to know death. There
wasn’t anything in the world Avrio wanted more.
#avrio
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It’s been a full year now, since the journey began, still I’ve only just found my path. Easter Sunday, 2018 I was slow to get up off my ass...
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Visit my new website at www.morbidtoybox.com to read the continuation to my original #sciencefiction #horror #bassysbasilica